After My Father’s Stroke, My Mother Left — Five Years Later, She Came Back to the Gate

After My Father’s Stroke, My Mother Left — Five Years Later, She Came Back to the Gate

The sun was a white-hot disc over the township of Vosloorus, the kind of heat that makes the corrugated iron roofs groan and the air taste like dust and old exhaust. I was standing by the kitchen sink, soaking a rag to cool my father's brow, when the metal rattle of the front gate cut through the hum of the midday radio.

A woman by the sink
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It wasn't the sharp, rhythmic knock of the bread man or the frantic rattling of the neighbour's kids. It was a slow, hesitant scraping of metal against metal, the sound of someone who remembered how the latch used to stick but wasn't sure if it still did.

I looked out the window. My heart didn't race; it stopped. There, standing behind the rusted diamond mesh, was a woman who looked like a faded photograph of someone I had once loved. Nomvula. My mother.

She was thinner than the woman who had walked out five years ago. Her hair, once kept in elaborate braids that took half a Saturday to complete, was now cut close to her scalp, peppered with premature grey. She carried a small, battered suitcase that looked too light for a five-year absence.

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A senior woman with suitcase
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"Lindiwe?" she whispered. Her voice was thin, stripped of the authority it used to carry when she'd shout for me to come inside before the streetlights flickered on. I didn't open the gate. I couldn't move. Behind me, in the dimness of the lounge, I heard the rhythmic thump-drag, thump-drag of my father's gait.

Sibusiso. The man she had left for dead in a bed that smelled of antiseptic and despair. "Who is it?" my father called out. His voice was thick, the vowels rounded off by the ghost of the stroke that had tried to steal his tongue, but his command was clear.

I looked at the woman at the gate. I looked at the suitcase. I thought about the five years of lifting, the five years of sponge baths, the five years of missed exams, and the bitter taste of soft porridge. "It's a ghost, Baba," I said, my voice as cold as the water in my bucket. "Just a ghost from a life we don't live anymore."

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A suprised woman
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I was thirteen when the world ended the first time. My father was the kind of man who couldn't sit still. He was a mechanic by trade, his hands permanently stained with the grease of the neighbourhood's engines. One Saturday afternoon, he was wrestling with our front gate, trying to realign the track.

He let out a sound like a punctured tyre, a long, escaping hiss, and crumpled. The doctors at the public hospital called it a massive ischaemic stroke. To a thirteen-year-old girl, it just looked like my hero had been erased and replaced by a mannequin that made terrible, wet sounds when it tried to breathe.

The left side of his body was a dead weight. His face drooped like melting wax. At first, my mother was a soldier. She quit her job as a house cleaner in the suburbs to become a full-time nurse. Our small house became a makeshift clinic.

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Senior woman with sick husband
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She slept on a thin mattress on the floor next to his bed, her hand always reaching up to check if he was still dry, still warm, still alive. I became her shadow. After school, there were no netball practices or gossiping at the corner shop.

There was only the bucket and the cup. I learned how to wash a grown man's private parts without looking at his face, to preserve the last shred of his dignity. I learned how to mash butternut and liver into a paste that wouldn't make him choke.

But caregiving is a slow-motion car crash. The money ran out. The electricity was cut, then reconnected, then cut again. My mother stopped singing. She stopped combing her hair. She started snapping, not at the situation, but at me. At him.

If a spoon clattered to the floor, she would scream as if a bomb had gone off. If my father struggled to swallow his meds, she would turn away, her shoulders shaking with a silent, terrifying rage. One Tuesday, I walked to the local spaza shop to buy a single loaf of brown bread with some coins I'd found in a coat pocket.

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A girl entering the house
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When I returned, the house was silent. The door was unlocked. My father was lying in his own waste, his eyes wide and terrified, staring at the ceiling. On the kitchen table sat a piece of lined school paper, folded twice.

"I can't do this anymore. I am drowning and I will take you both down with me. I will come back when I am better. Forgive me, Lindiwe." She didn't leave a phone number. She didn't leave money. She just left.

Between the ages of thirteen and eighteen, I didn't grow up; I calcified. I officially withdrew from school. The principal tried to intervene once, but when he saw me hanging heavy, wet blankets on the line while my father sat in the sun, struggling to hold a spoon, he just sighed and shook his head.

I became a master of the "long game." I spent hours on a borrowed smartphone, watching YouTube videos on physiotherapy. I became my father's coach, his drill sergeant, and his only friend.

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Teenage girl trainig dad
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"Again, Baba," I would say, holding a broom handle horizontally. "Lift the leg. Over the stick." He would sweat. He would cry. He would curse the God that left him broken. But he worked. He used a cracked mirror to practice forming the letters 'B' and 'P'.

"Villain," he whispered one night, referring to my mother. It was the first clear word he had spoken in a year. "She is a villain, Lindiwe. You don't leave a person when their body betrays them."

By the time I turned eighteen, the "villain" was standing at my gate. "Lindiwe, please," she said through the bars. "I just want to talk." My father had made it to the porch by then. He was leaning heavily on his walking stick, the one I'd fashioned from a sturdy broom handle and a rubber stopper.

Man walking with sticks
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He looked at the woman he had once promised to love in sickness and in health. "You have no business here, Nomvula," he said. His voice was gravelly but steady. "This house is full. There is no room for someone who walks away when the wind blows."

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"Sibusiso, I was sick. My mind was breaking," she cried, her hands gripping the wire mesh so hard her knuckles turned white. "We were all breaking!" I shouted, the five years of suppressed rage finally bubbling over.

"I was thirteen! I didn't get to choose to be 'sick' of it. I had to be the mother and the daughter and the nurse. Where were you when his bedsores were bleeding? Where were you when we ate nothing but cabbage for two weeks?"

She looked at me, and for a second, I saw a flicker of the old Nomvula, the one who used to tuck me in. "I am sorry, Lindiwe. I am so sorry for what I put on your shoulders." "Speak to the girl," my father spat, turning his back on her.

Mother and daughter talking
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"If she wants you here, I will endure it. If she wants you gone, you are dead to this house." He retreated into the shadows of the lounge, leaving me to face the woman who had abandoned me. That evening, the air was still heavy. My mother hadn't left. She was sitting on her suitcase on the pavement outside the gate, a silent sentry in the fading light.

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I went out to tell her to go, to say to her that her presence was a wound we couldn't afford to reopen. But as I approached the gate, I heard my father's voice from the porch. He had come back out. He didn't know I was standing in the shadows of the side wall.

"You think you are the only one who suffered?" my father hissed at her through the dark. "You chose freedom. You chose to go find yourself while I was trapped in a body that wouldn't move."

"It wasn't freedom, Sibusiso!" my mother shrieked, a sound so raw it made the neighbourhood dogs bark. "I was losing my mind. Do you remember the day I left? Do you remember the stove?" There was a silence.

Mother and daughter talking
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"I left the stove on," she whispered, her voice cracking. "I walked into the lounge to change you, and I forgot. I forgot Lindiwe was in the house. I forgot the pot was there. I stood over you with a pillow in my hands, Sibusiso. I stood there for ten minutes, thinking that if I just pressed down, the noise would stop.

The struggle would stop." I felt the blood drain from my face. I leaned against the cold brick of the house, my breath coming in shallow gasps. "I didn't leave because I didn't love you," she sobbed. "I left because I was becoming a monster. I was dissociating.

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I would look at Lindiwe and not know who she was. I was afraid I was going to hurt her. I was worried I was going to hurt you. I stayed away because I thought you were safer with me gone than with me there, losing my soul."

Mother and daughter talking
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The silence that followed was heavy, weighed down by the truth I wasn't prepared for. She hadn't left for a lover. She hadn't gone to a party. She had left because the sheer, grinding pressure of poverty and disability had cracked her psyche until she was a danger to the people she was supposed to protect.

I looked at my hands. They were calloused and strong. I had survived what had broken her. I had stayed. I had endured the pillow-thoughts and the rage and the exhaustion, and I had come out the other side.

But as I looked at her, broken, grey, and pleading, I realised that my survival hadn't been a choice. It had been a necessity. And it had cost me everything that made me a child. I walked out to the gate. I didn't open it, but I stood close enough to see the tears tracked through the dust on her cheeks. "I heard you," I said. She looked up, startled. "Lindiwe..."

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"I heard why you left. And I understand it," I said, my voice steady. "But understanding isn't the same as forgiving. You left a thirteen-year-old to do the job that drove a grown woman to the brink of murder. You saved yourself, and you threw me into the fire."

Mom pleads with teenage daughter
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"I know," she whispered. "I know I can never pay that back." "No, you can't," I said. "So here is how this works. You are not moving back in. Not today. Not next week. This is our home now, mine and Baba's. We built this peace out of the wreckage you left."

She nodded, her head bowed. "But," I continued, "I am tired. I am so, so tired of being the only one who holds the weight. You want to be a mother? You want to be a wife? You start by being a neighbour. You find a room on the next street. You come here every morning at six.

You take him to his physio at the clinic. You cook the midday meal. You sit with him so I can go to the library." My father started to protest from the porch. "Lindiwe, I don't want..." "It's not about what you want, Baba!" I turned to him, my voice ringing out. "I love you.

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I have given you my teenage years. I have bathed you and fed you and been your legs when you had none. But I am eighteen now. I have a life to find. If she is willing to do the work, you will let her. Not because you forgive her, but because you owe it to me to let me go."

Daughter talking to dad
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The silence that followed was long. Eventually, my father gave a single, curt nod and went inside. I looked at my mother. "Do you have money for a room?" "I have a little saved from the laundry work I did in the city," she said. "Good. Be here at six a.m. sharp. If you're a minute late, the gate stays locked."

That was six months ago. Nomvula still hasn't moved back into the house. She lives in a small back room three houses down. Every morning, she is at the gate at 05:55. She does the heavy lifting. She endures my father's cold silence and his occasional barbs. She is earning her way back, inch by agonising inch.

And me? I am sitting in a classroom at the adult education centre. It was humiliating at first, sitting next to people who were five years younger than me, realising I'd forgotten how to do long division or how to structure an essay. But I don't apologise for being there.

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I wear my uniform with a pride that the other students don't understand. I have learned a hard lesson: Love is not just an emotion; it is a capacity. My mother's capacity was smaller than the tragedy that hit us. My capacity was forced to be larger than any child's should be.

Teenage girl contemplating
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Neither of us was "right." We were just human beings caught in the gears of a system that offers no safety net for the poor and the broken. South Africa is a country of caregivers. We are a nation of daughters and grandmothers holding up crumbling houses with nothing but grit and prayer.

However, we often forget that caregivers need a life too. I no longer see my mother as a villain, nor do I see her as a victim. She is a woman who broke. And I am the girl who didn't. But I refuse to be a martyr any longer. Forgiveness isn't a feeling that washes over you like rain; it's a boundary you draw so you can finally breathe.

I have drawn my line. On one side is the duty I performed. On the other side is the woman I am becoming. For the first time in five years, when I look in the mirror, I don't see a nurse. I don't see a replacement wife. I don't see a tragedy. I see Lindiwe. And she is finally, beautifully, only eighteen.

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If you had to choose between your sanity and your family, which one would you save, and could you live with the person you became afterwards?

This story is inspired by the real experiences of our readers. We believe that every story carries a lesson that can bring light to others. To protect everyone's privacy, our editors may change names, locations, and certain details while keeping the heart of the story true. Images are for illustration only. If you'd like to share your own experience, please contact us via email.

Source: YEN.com.gh

Authors:
Racheal Murimi avatar

Racheal Murimi (Lifestyle writer) Racheal Murimi is a content creator who joined Yen in 2022. She has over three years of experience in creating content. Racheal graduated from Dedan Kimathi University of Technology with a bachelor's degree in BCom, Finance. She has amassed sufficient knowledge on various topics, including biographies, fashion, lifestyle, and beauty. In 2023, Racheal finished the AFP course on Digital Investigation Techniques and the Google News Initiative course. You can reach her at wambuimurimi254@gmail.com